Egleston Hall

A cornerstone of All Saints' since 1918
On the 2026 'Places in Peril' list

A Case for Saving Egleston Hall

Preserving History, Integrity, and Witness at All Saints'

Egleston Hall is a physical expression of the All Saints' Episcopal Church's historic commitment to education, dialogue, and moral leadership and a rare architectural and cultural resource in the city of Atlanta. Egleston Hall offers a tangible chapter of All Saints' identity and provides architectural and historical integrity for one of Atlanta's most significant religious campuses.

Historic and Architectural Significance

Constructed as an Akron Plan building, Egleston Hall represents a form once central to progressive religious education in the late nineteenth and early twentieth centuries. Today, it stands as one of Atlanta's only remaining Akron Plan buildings, a vanishing architectural type defined by its centralized assembly space, radiating classrooms, and emphasis on shared learning and community formation. Few such buildings survive anywhere in the region; fewer still remain in active ecclesiastical settings.

Architecturally, Egleston Hall was intentionally designed to harmonize with the surrounding campus, reinforcing a sense of continuity and place. Its materials, scale, and form are integral to the visual and spatial coherence of All Saints'. Removal would leave a permanent void—one that no contemporary construction, however well-intentioned, could replicate.

Integrity of the Campus

All Saints' is not simply a collection of buildings; it is a carefully layered campus that reflects generations of faith, leadership, and evolving mission. Egleston Hall contributes to that continuity. Demolition would fundamentally alter the historic campus plan and weaken the sense of enclosure, procession, and place that defines the All Saints' experience.

Preservation is not about freezing a campus in time—it is about stewarding change responsibly. Adaptive reuse allows Egleston Hall to continue serving contemporary needs while retaining the architectural and historical framework that gives All Saints' its unique identity.

A Place of Moral Leadership and Civil Rights Dialogue

Egleston Hall has long been a space where difficult, necessary conversations were not avoided—but embraced. Under the leadership of figures such as Frank Ross and parishioners Ralph McGill and Elbert Tuttle, Egleston Hall played a central role in facilitating the Church's work that advanced racial understanding and civil rights in Atlanta during moments of profound social change.

In later decades, the tradition continued. Leaders including Harry Pritchett and Geoffrey Hoare guided the parish through equally consequential conversations—on the full inclusion of women in the life of the Church, on LGBTQ+ equality, and on compassionate, faith-based responses to the AIDS epidemic. These moments were not abstract ideals; they occurred in real rooms, among real people, within Egleston Hall.

To preserve Egleston Hall is to honor that legacy of courage, openness, and moral leadership.

Stewardship and Economics: Adaptive Reuse vs. Demolition

From a financial perspective, preservation is also a prudent choice. New construction carries escalating costs—design, materials, labor, and long-term maintenance—often far exceeding initial projections. Demolition itself is expensive and irreversible.

Adaptive reuse, by contrast, leverages the embodied energy and existing infrastructure of Egleston Hall. Rehabilitation can be phased, targeted, and aligned with fundraising goals, while allowing the building to serve new functions that support All Saints' mission today and into the future. Across the country, faith communities are discovering that preservation-minded reuse is not only more environmentally sustainable—it is more fiscally responsible.

A Choice About Identity

The decision facing All Saints' is not merely about a building. It is about identity, continuity, and witness.

Egleston Hall embodies the parish's long-standing commitment to education, inclusion, and courageous engagement with the moral questions of its time. Saving it affirms that All Saints' values its past not as nostalgia, but as a foundation for future ministry.

By choosing preservation and adaptive reuse, All Saints' can demonstrate leadership once again—honoring history, maintaining campus integrity, stewarding resources wisely, and ensuring that Egleston Hall continues to serve as a place where faith and justice meet.

1932 Recording Sessions

Ralph Peer, a legendary talent scout, engineer and producer, organized recording sessions at Egleston Hall for a dozen groups from February 15th-29th, 1932.

The most prominent performers were The Carter Family and Blind Willie McTell. This was the famous session where McTell recorded with the mysterious 'Ruby Glaze' and remains one of his rarest recordings.

The session would be the last recording of The Carolina Tar Heels but the first for the Sparks brothers. Other artists who recorded then include the duos of The Allen Brothers, Darby and Tarlton and Fleming and Townsend as well as one quartet that included Lee Roy Abernathy and another with Virgil O. Stamps and J. R. Baxter Jr.

Check out some of the recordings below

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