A cornerstone of All Saints' since 1918
On the 2026 'Places in Peril' list
Book shelves have followed the contours of the library since 1947
Egleston Hall facade with Atlanta skyline
1969 architectural rendering
Sublime view of semi-circular Egleston Hall and Ed Daugherty-designed courtyard
1917 architectural blueprints
Elevations and design details
Preserving History, Integrity, and Witness at All Saints'
Egleston Hall is a physical expression of the All Saints' Episcopal Church's historic commitment to education, dialogue, and moral leadership and a rare architectural and cultural resource in the city of Atlanta. Egleston Hall offers a tangible chapter of All Saints' identity and provides architectural and historical integrity for one of Atlanta's most significant religious campuses.
Constructed as an Akron Plan building, Egleston Hall represents a form once central to progressive religious education in the late nineteenth and early twentieth centuries. Today, it stands as one of Atlanta's only remaining Akron Plan buildings, a vanishing architectural type defined by its centralized assembly space, radiating classrooms, and emphasis on shared learning and community formation. Few such buildings survive anywhere in the region; fewer still remain in active ecclesiastical settings.
Architecturally, Egleston Hall was intentionally designed to harmonize with the surrounding campus, reinforcing a sense of continuity and place. Its materials, scale, and form are integral to the visual and spatial coherence of All Saints'. Removal would leave a permanent void—one that no contemporary construction, however well-intentioned, could replicate.
All Saints' is not simply a collection of buildings; it is a carefully layered campus that reflects generations of faith, leadership, and evolving mission. Egleston Hall contributes to that continuity. Demolition would fundamentally alter the historic campus plan and weaken the sense of enclosure, procession, and place that defines the All Saints' experience.
Preservation is not about freezing a campus in time—it is about stewarding change responsibly. Adaptive reuse allows Egleston Hall to continue serving contemporary needs while retaining the architectural and historical framework that gives All Saints' its unique identity.
Egleston Hall has long been a space where difficult, necessary conversations were not avoided—but embraced. Under the leadership of figures such as Frank Ross and parishioners Ralph McGill and Elbert Tuttle, Egleston Hall played a central role in facilitating the Church's work that advanced racial understanding and civil rights in Atlanta during moments of profound social change.
In later decades, the tradition continued. Leaders including Harry Pritchett and Geoffrey Hoare guided the parish through equally consequential conversations—on the full inclusion of women in the life of the Church, on LGBTQ+ equality, and on compassionate, faith-based responses to the AIDS epidemic. These moments were not abstract ideals; they occurred in real rooms, among real people, within Egleston Hall.
To preserve Egleston Hall is to honor that legacy of courage, openness, and moral leadership.
From a financial perspective, preservation is also a prudent choice. New construction carries escalating costs—design, materials, labor, and long-term maintenance—often far exceeding initial projections. Demolition itself is expensive and irreversible.
Adaptive reuse, by contrast, leverages the embodied energy and existing infrastructure of Egleston Hall. Rehabilitation can be phased, targeted, and aligned with fundraising goals, while allowing the building to serve new functions that support All Saints' mission today and into the future. Across the country, faith communities are discovering that preservation-minded reuse is not only more environmentally sustainable—it is more fiscally responsible.
The decision facing All Saints' is not merely about a building. It is about identity, continuity, and witness.
Egleston Hall embodies the parish's long-standing commitment to education, inclusion, and courageous engagement with the moral questions of its time. Saving it affirms that All Saints' values its past not as nostalgia, but as a foundation for future ministry.
By choosing preservation and adaptive reuse, All Saints' can demonstrate leadership once again—honoring history, maintaining campus integrity, stewarding resources wisely, and ensuring that Egleston Hall continues to serve as a place where faith and justice meet.
Ralph Peer, a legendary talent scout, engineer and producer, organized recording sessions at Egleston Hall for a dozen groups from February 15th-29th, 1932.
The most prominent performers were The Carter Family and Blind Willie McTell. This was the famous session where McTell recorded with the mysterious 'Ruby Glaze' and remains one of his rarest recordings.
The session would be the last recording of The Carolina Tar Heels but the first for the Sparks brothers. Other artists who recorded then include the duos of The Allen Brothers, Darby and Tarlton and Fleming and Townsend as well as one quartet that included Lee Roy Abernathy and another with Virgil O. Stamps and J. R. Baxter Jr.
Check out some of the recordings below
January 5, 2026
Egleston Hall selected as a 2026 Place in Peril due to its architectural and historical significance.
Read Letter →January 23, 2026
Urges sensitive rehabilitation of this highly significant Akron Plan structure.
Read Letter →February 2, 2026
National nonprofit focused on the community value of older religious buildings supports preservation of Egleston Hall.
Read Letter →March 22, 2026
A parishioner argument for saving Egleston Hall: its historical significance, the false equivalence of ministry needs vs. demolition, available repair funds from the Norfolk Southern settlement, and the environmental cost of demolition.
Read Letter →February 20, 2026
The landscape at All Saints was created by legendary landscape architect and congregant Edward Daugherty and should be preserved.
Read Letter →February 20, 2026
Plan threatens Egleston Hall, panics preservationists
Read Article →February 24, 2026
Future of All Saints' century-old Egleston Hall in flux
Read Article →February 25, 2026
Atlanta church, UGA's Legion Pool among Georgia's at-risk landmarks
Read Article →February 25, 2026
Egleston Hall makes 2026 'Places in Peril' list
Read Article →February 25, 2026
2026 Place in Peril: Egleston Hall, All Saints Episcopal Church
Read Article → Watch VideoFebruary 25, 2026
Historic Egleston Hall church building on 2026 Georgia 'Places in Peril' list
Read Article →February 25, 2026
Atlanta church building, UGA swimming pool among historic places in peril
See Article and TV Segment →February 26, 2026
Georgia Trust for Historic Preservation reveals state's 10 Places in Peril in 2026
Read Article →February 26, 2026
Georgia Trust for Historic Preservation shares 2026 'Places in Peril' list
Read/listen →April 4, 2026
A Midtown church weighs its future after historic hall lands on ‘peril’ list
Read Article →